SOUND & MUSIC
FOR POWERFUL STORIES

Sound stands out.

Even before the curtains raise or the edit locks, sound can be your greatest, most efficient and visceral tool.

Dream it.

Everything begins as an idea. Sound can help bring that idea to life. Before the cameras even roll, we will begin to craft a world of vivid sonic detail, helping you plant a seed of musical inspiration for the creative process to come.

Make it.

During production you’ll have sound on your side, with comprehensive communication and a dedicated team. We’ll work to prevent audio nasties and ensure you have what you need to do what you do best.

Lock it.

It starts with dialogue - edited, re-recorded, polished. Music embellishes the narrative. Atmospheres are formed, Foley crunched, and effects crafted for character and machine alike. The result? Great sound, on time, on budget.

Beyond the lens, we bring sound to life, so you can focus on telling incredible stories.

Screen productions present unique challenges that demand creative collaboration.
Our job is to oversee sound from script to screen, realising the vision that underpins a project through sound & score.
We can work from the earliest concept to the final mix, listening, advising, creating and enhancing.

Led by Hamish Keen (editing & design) and Alex Olijnyk (direction & score), Hyperdynamic prides ourselves in facilitating high quality sound and score for all formats, from short films to long form narratives.

What we do.

Original Music and Score.

In-house or in collaboration, we’ve got it covered. From booming 808’s to refined Baroque.

ADR Recording.

Facilities and supervision with your direct involvement. Crystal clear and locked to picture.

Sound & Music Supervision.

Comprehensive foresight and detailed planning reduces stress and brings sound to life.

Field Recording.

Uniquely Australian landscapes recorded and sampled in immaculate detail.

Sound Design.

Whatever it is, no matter the scale, we create unique sounds to enhance compelling stories.

Final Mix.

Re-recording mixing for TV, Film and Media delivered in Stereo or 5.1 with Binaural.

Dialogue Editing.

Speech or movement, boom or lav, the sound of your film is unique and deserves to be heard.

Immersive Audio.

Original sound for live theatre, installation, VR and upmixing. The bleeding edge of modern sound.

Selected Work

Small

dir. Sarah Hegge-Taylor
2022
(Score)

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Glasshouse

dir. Nicholas Muecke
2020
(Sound Design, Score and Mix)

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My Bubble Wrapped Exorcism

dir. Gilda Jones
2022
(Sound Design and Score)

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Unseen

dir. Alex Nesic
2022
(Score)

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I Am Awake, Always

dir. Nyssa Mitchell
2019
(Sound Design and Score)

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The Idyll

dir. Matt Williams
2019
(Sound Design and Score)

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The Things We Leave Behind

dir. Nicholas Muecke
2021
(Sound Design, Score and Mix)

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Home

dir. Sam Barnes
2021
(Field Recording, Sound Design, Music Supervision, Score, Mix)

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Blvck Gold

dir. Ez Eldin Deng
2021
(Sound Design, Score, Mix)

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The Soft Skinned

dir. Nicky Tyndale-Biscoe
2021
(Sound Design and Score)

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Encounter

dir. Arctic Qu
2021
(Score)

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Two Rooms

dir. Gilda Jones
2021
(Sound Design and Score)

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Cicurlar

dir. Fraser Whitehead
2020
(Sound Design, Score and Mix)

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Tweakers

dir. Jack Bell
2021
(Sound Design, Additional Score)

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When I Go

dir. Olivia O’Brien
2021
(Sound Design, Music Supervision, Score)

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Bottle Wizard

dir. Lilly Mcpake
2021
(Score)

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Girl in the Gramophone

dir. Klaus Banadinovitch
2022
(Score)

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